Born 1959 in Manila, Philippines. Lives and work in New York

Education
1981    Harvard College BFA
1981    Skowhegan School

Solo Exhibitions
2010    Points Touching/ Spaces Defined, Galerie Bernard Jordan, Zurich, Switzerland
            Dimensions Variable, Frederico Sève Gallery/latincollector, New York, NY
2008     Other Side..(...IDOL, AJAC, IONA, EMEU...).. , galerie Jean Fournier, Paris
2007     New sculpture and drawing, Lennon Weinberg Gallery, New York
             Running Fix, Frac Auvergne, Clermont-Ferrand
2006    Oeuvres récentes réalisées à l’atelier Calder, galerie Jean Fournier, Paris
2005     Kittyfat / Saché workday drawings, Ecole Régionale des Beaux-Arts, Caen
2004    Œuvres récentes, Atelier Calder, Saché
2002    Lennon Weinberg Gallery, New York
            Peter Soriano, sculptures, ENAD, Limoges
            Espace d’art contemporain Camille Lambert, Juvisy-sur-orge
            Juste pour voir – dessin(s), ENAD, Limoges
2001    Galerie Bernard Jordan, Paris
2000    Musée des Beaux-Arts de Tourcoing, avec Philippe Richard
1999    Lennon Weinberg Gallery, New York
            Interface, Marseille
            Galerie Renate Schröder, Köln, Allemagne
            Le 19, Centre régional d’art contemporain, Montbéliard
            Villa Steibach, Musée des Beaux-Arts, Mulhouse
            Ancien collège des Jésuites, Ecole des Beaux-Arts, Reims
1998    MK Expositierite, Rotterdam, Pays-Bas
            MACC, Fresnes
            Galerie Bernard Jordan, Paris
1997    Schmidt Contemporary Art, Saint-Louis, Missouri
1996    Lennon Weinberg Gallery, New York
            Galerie Jean Fournier, Paris
1994    Lennon Weinberg Gallery, New York

Group exhibitions (selected)
2009     Pinta Art Fair, New York, NY
             The Line is a Sign, Latincollector, New York
2008     + de Réalité, Ecole nationale supérieure des Beaux-Arts, Hangar a Bananes, Nantes
             Flow Chart, Lennon Weinberg Gallery, New York
2007     L’art dans les Chapelles, Bretagne
             La couleur toujours recommencée, Hommage à Jean Fournier, marchand à Paris, Musée Fabre, Montpellier
             Taking Shape, Lennon Weinberg Gallery, New York
2006     La Force de l’Art, commissariat Eric de Chassey, Grand-Palais, Paris
             Jean Fournier : un choix d’œuvres sur papier, Le Ring, Artothèque de Nantes
             Synthetic Aesthetic, Roger Smith Lab Gallery, New York
2005     Non compatibles, une peinture sans qualités, Villa Tamaris Centre d’art, Toulon
             Gallery artistes, Lennon Weinberg gallery, New York
             Works on Paper - 2005, Schmidt Contemporary Art, Saint-Louis, Missouri
2004     Posé sur le papier, dessiné sur le mur, carnet et une sculpture, galerie Bernard Jordan, Paris
             Toys in the Attic, Lennon Weinberg Gallery, New York
             Le Syndrome de Babylone, Villa du Parc, Annemasse
             Il y a autant de raisons que de façons de dessiner, Nouveau Théâtre d’Angers
2003     Corporal Identity – Body Language, Museum fur Angewandte Kunst ; Klingspor Museum Frankfurt and Museum of Art and Design, New York
             Quatuor Plastique, Ecole régionale des Beaux-Arts, Valence
2002     Archipelago, Museum of Contemporary Art, Denver
             Point, ligne, galerie Les Filles du Calvaire, Bruxelles, commissaire : Eric de Chassey
             Drawn from a collection, Colby College of Art, Maine
             Made in Brooklyn, Whythe Studio, Brooklyn
             New York, New York, New York, Lennon Weinberg Gallery, New York
2001    Fiac 2001, Galerie Bernard Jordan et Eric Seydoux éditions, Paris
            MIR2, Smack Mellon, Brooklyn, New York
            Figstract Explosionism, Bridgewater, Lutsberg & Blumefeld, New York
2000    Simple Statements, University of Rhode Island, Rhode Island
            Almost something, Catherine Moore Fine Art, New York
            Made in mars, Glassbox, Paris
1999    Galerie Agnès B, Paris
            Ecole régionale des Beaux-Arts, Rouen
            Centre d’art Marnay, Marnay-sur-Seine
            Luscious, Elizabeth Harris Gallery, New York
           Galerie Rothamel, Berlin Art fair Berlin, Allemagne
            Photographs by painters, photographers, sculptors , Lennon Weinberg gallery, New  York
1998    22/21 Vision Emily Lowe Gallery, Hofstra Museum, Hofstra University, New York
            Abstractions et ses territoires, Centre d’art contemporain, Le 19, Montbéliard
            Southern exposure, Ambrosio gallery, Miami, Floride
            Wanas 1998, Knisligne, Suède
            Rencontres #11, La vigie, Nîmes
            Pop abstraction, Museum of American Art, Philadelphie
           Anne et les garçons, Galerie Athanor, Marseille
           Utz, Lennon Weinberg gallery, New York, commissaire : S. Theodore
           Galerie Renate Schröder, Art Cologne 98, Köln, Allemagne
1997   Sculpture, James Graham & Sons, New York
           Just what do you think you are doing, Dave ?, Willamsburg Art and Historical Center, Brooklyn, New York, commissaire : Bruce Pearson
           Couleurs, couleurs, galerie Bernard Jordan, Paris
           La Collection, Fondation Cartier, Paris
           Art on paper annual exhibition, Weatherspoon Art Gallery, University of North Carolina, Greensboro, Caroline du Nord
1996   Un œil américain, Galerie Le Carre, Lille
           The Enduring Presence, New York abstraction , University of Tennessee, Knoxville
           The Thing, Devon Golden Fine Art, New York
           Buttered Side up, Hallwalls, Buffalo, New York and Koffler Center for the arts, Ontario, Canada
           Hothouse, The Work Space, New York
           Salon des Tree, New York
1995    Lennon Weinberg Gallery, New York
            Chess and Checkers at the apartment store, Exit Art / the first world, New York
            Maux Faux, Ronald Feldman Fine Arts, New York
1994     It’s How You Play The Game, Exit Art, New York (selected by Robert Storr)
1993     Faux, Ronald Feldman Fine Arts, New York
             (a6), Galerie Le Carré, Lille
             Dix aventures à vivre, galerie Jean Fournier, Paris
             Fantastic Wanderings, Connecticut College, New London, Connecticut
             Works on paper by gallery artists, Lennon Weinberg gallery, New York
             Outside Possibilities ’93, Rushmore festival, Woodbury, New York, commiss : Bill Arning
             Sculpture : Joseph Zito, Peter Soriano, Robin Hill, Lennon Weinberg Gallery, New York
1992     Recent acquisitions : Rosmarie Trockel, Tony Smith, Peter Soriano, Fogg Art Museum, Cambridge , Massachussetts
1991     Burning in Hell, Franklin Furnace, New York, commissaire : Nancy Spero
             Elaine Benson Gallery, Bridgehampton, New York
1987     American Academy and Institute of Arts and Letters, Awards exhibition, New York

Publications
Writting by the artist

Published for the first time in "Artistes ou lettrés de Camille Saint-Jacques et Eric Suchère," collection Beautés, éditions Lienart, Paris 2009.

“Elemental” (pub. in French) trans. by Eric Suchère

“La Memoire Fautif” (pub. in French) trans. by Eric Suchère

Though originally written in English, “La Memoire Fautif” was commissioned and published by the poet Eric Suchère for his publication LITTLE SINGLE. I wrote it during my stay at the Calder Foundation in Saché in 2004. It was a period of transition in my work and somehow that provided me with a suitable pretext to both look back at my previous work, and articulate ideas that have remained with me and given me a context for the present.

Texts
2009    Provisional, Raphael Rubinstein, Art in America, May 2009, pp. 133–35

 2008    Peter Soriano’s New Direction(s), Raphael Rubinstein

             Touts les directions de Peter Soriano, Raphael Rubinstein (traduction Jeanne Bouniort)
2006     Sculpture relative, Èric de Chassey
             The Relative Sculpture, Èric de Chassey (traduction de Natalie Lithwick)
              Les inhumains sont parmi nous, Èric Suchère
              The Inhumans Among Us, Èric Suchère (traduction de Natalie Lithwick)

Catalogs
Peter Soriano
Other Side ..(IDOL,AJAC,IONA,EMEU…)..
Text by Raphael Rubinstein
Co-published by Galerie Jean Fournier and Panama Musées 2008

Peter Soriano Running Fix
2007 FRAC Auvergne, texts by Èric de Chassey and Èric Suchère

Philippe Richard — Peter Soriano peintures sculptures 1990-2000
2000 Musée des Beaux-arts de Tourcoing, text by Tristan Trémeau

Peter Soriano
1999 Le 19, Centre Régional d’Art Contemporain, Montbéliard
Le Quai, Ecole d’art/design, Mulhouse, Text by Paul Cabon

Peter Soriano
1998 Red District, Marseille, text by Èric Suchère

Peter Soriano Sculpteur
1996 Galerie Jean Fournier, text by Hovey Brock

Public Aquisitions
Fonds national d’art contemporain, France
Artothèque Régionale du Limousin, Limoges, France
Le Ring, Nantes, France
Fondation Cartier pour l’art contemporain, Paris
Harvard University Fogg Art Museum
Frac Auvergne, Clermont-Ferrand
Flaxman Library, School of the Art Institute of Chicago
Musée des Beaux-arts de Tourcoing
Wanas Foundation, Suède


 

Born 1959 in Manila, Philippines. Lives and work in New York

Peter Soriano was born in Manila, Philippines. He studied Art History at Harvard and Sculpture at Skowhegan School of Painting and Sculpture before moving to New York in 1981 where he taught at SVA and RISD for over a decade. Soriano has shown in numerous prestigious group shows throughout Europe and the US. Previous solo shows include: Galerie Jean Fournier (Paris), Galerie Bernard Jordan (Zurich), & Lennon Weinberg Gallery (New York). In addition to numerous private collections Soriano’s work is held in many public collections including: the Frac Auvergne, Fondation Cartier and FNAC in France. Peter has received a residency grant from the Calder Foundation and was a Senior Fellow at the Terra Foundation in Giverny, France (2009).

Soriano’s exploratory use of simultaneous multiple perspectives both in his “sprays”, the installations, and his drawings, make use of: macro and micro views, birds-eye and one-point perspective, transparent and opaque information, and interior vs. exteriority to confound reasons insistence on objective truth.   

I am drawn to that polarity between movement and stasis. I think I needed to rid myself of making forms to get closer to this situation between the spatial and the planar, the sculptural and the drawn, between the decision and the doubt. I am looking for a transparency between thought and space.
                                                                                                                                                           Peter Soriano