Saturday, February 18, 2012
Fanny Sanín: Drawings and Studies 1960 to Now
The Wall Street Journal | Fine Art Reviews

Saturday/Sunday, February 18-19, 2012 | A21 ...
Wednesday, January 11, 2012
When the Dealer Collects
Louis K. Meisel & Frederico Sève
Published January 2012 Art & Auction
Louis Meisel spent six times his weekly salary to acquire his first painting. That was in 1963, when he was 21 years old and working as a studio assistant in New York for the early Abstract Expressionist painter Theodoros Stamos. “I was making about $100 a week,” he ...
Thursday, December 1, 2011
La conquista de una Visión (www.Poder360.com)
Pinta se consolida como un espacio fundamental para el arte latinoamericano en los principales mercados del mundo
Hace cinco años, la edición inaugural de Pinta Nueva York, la primera feria de arte latinoamericano moderno y contemporáneo que se lanzaba en la Gran Manzana, reafirmó el entusiasmo de las instituciones y coleccionistas y despejó la duda que despiertan los eventos de arte confinados a la ...
Saturday, October 1, 2011
ARTFORUM: October 2011 Reviews
Gego at Frederico Sève Gallery
The maverick modernist Gego was born Gertrud Goldschmidt in 1912, into a Jewish banking family in Hamburg. She trained as an architect, then fled in 1939 to Venezuela, where she taught and made art for the rest of her life. At the time of her death in 1994, Gego was respected as a sculptor in Latin America but uncelebrated ...
Tuesday, September 27, 2011
ARTINFO: The Top Show to See This Week, From Lisa Yuskavage to Carsten Nicolai
Emilio Sanchez's work at Frederico Sève Gallery
By ARTINFO
Published: September 21, 2011
UPTOWN
Wednesday, June 1, 2011
Mariana Vera: Gathering Parts
A Series of Flora-Montages
“Gathering Parts explores this tension between free form and design, the natural object and the canvas on which it is placed.”
Frederico Séve Gallery this spring presented a series of mesmerizing flora-montages from Colombian artist Mariana Vera in an exciting debut exhibition. Working with the ephemera ...





